OTT has been flooded with a number of film and Web series releases, and many of them are very entertaining.
Lovingly made, heartfelt stories that speak the truths about our lives.
Once you are done paying your respect to God and Grasshoppers, you circle back to the human beings in Gold, and that's when things become progressively more and more muddled, observes Sreehari Nair.
Guilty Minds has too much going on to wolf down it all in one big binge watch session, notes Sukanya Verma.
Sherni is a triumph -- a sublime outcome of purpose and storytelling falling in place, applauds Sukanya Verma.
What happened on the sets of Saagar. The role Irrfan desperately wanted to play. What Sayani Gupta is up to.
From Rs 191 billion in 2019, the world's largest film producing industry now stands at Rs 72 billion thanks to the pandemic.
These films, even at their saddest, darkest and grossest, retain their sense of humour, their sense of proportion, which again is something you associate with a Malayali.
Sharmaji Namkeen is Rishi Kapoor's swansong and show. His cinematic memories are coloured in liveliest hues of celebration and happiness, observes Sukanya Verma.
The Rs 19,100 crore 'Indian film industry' is more than its monikers for three simple reasons, feels Vanita Kohli-Khandekar.
After six weeks into the second half, the faltering offline channel, which traditionally rakes in 60 per cent of sales for the market, has become the biggest hurdle towards the path of revival.
The Supreme Court on Wednesday declined to grant interim protection from arrest to Ali Abbas Zafar, director of the web series Tandav, and others seeking the quashing of FIRs against them for allegedly hurting religious sentiments of Hindus, and issued notices Uttar Pradesh, Madhya Pradesh and other states on their pleas.
'He was once a hero. He was the poster boy of investigative journalism.' 'Then suddenly, because the TRPs of his channel were down, his boss decides to sack him.'
'In the lockdown, family viewing became even more important.' 'Kids saw adult content and adults saw a lot of kids content.' 'The audience is no longer just the housewife, but the whole family.'
'It's very rare to see a woman's character so empowered in a cricket-based Web series,' says Sayani Gupta about her new show, Inside Edge 2.
'The real India lives in the villages where everyone is trying to improve the other.'
Sandeep Aur Pinky Faraar is an intriguing mess, feels Sukanya Verma.
This TV also comes with an innovation -- it uses the screen as a speaker, says Uttaran Das Gupta.
If a phone under Rs 15,000 is what you're looking for, then this is among the best, says Khalid Anzar.
'When I meet Raj and DK next, I will force them to tell me!'
Vidya Balan and Shefali Shah are powerhouse talents and are tailor-made for Jalsa's overwrought premise, notes Sukanya Verma.
Paatal Lok is definitely a must watch show. The credit for its success goes to the writers who enthralled us with their unique characters, but also to the wonderful band of actors who grabbed the opportunity to showcase their frightening raw talent, notes Aseem Chhabra.
'There were initial hiccups with Ayushmann as Mr Bachchan has an aura; he isn't called a legend for anything.'
'This is the first time when you see the story of the Azad Hind Fauj through the eyes of the soldiers.'
'I find drawing inspiration for characters from real life very limiting.'
'If you sit collar turned up and tell yourself, you are great, you will never evolve as an actor.'
Even if it wants to censor what you read, watch, or consume, the amount of content online is so huge that it is physically impossible for any government to do it, notes Vanita Kohli-Khandekar.
Aseem Chhabra presents his list of 10 international films that mattered to him, stories that he connected with and characters that gave him a better understanding of the human condition.
Here's the second part of guide to a year that will soon become history.
Despite all its drawbacks, I was engrossed in Toofaan and the intensity Rakeysh Omprakash Mehra imbues it with for most part, observes Sukanya Verma.
Is Christmas a good time to release big films?
'By giving cameras unimpeded access to their world-class training facilities and coaches, and by showing off Guardiola's genius, All Or Nothing is a striking show of power, a declaration of their conviction of being the bigger club in Manchester,' says Dhruv Munjal.
'Stories can change people.' 'But there's a story we have been afraid to see and hear about ourselves in this industry.' 'A story about which voices we respect and elevate, and which we tune out.' 'Story about who's offered a seat at the table and who is kept out of the rooms where the decisions are made.'
'I never thought the European audience will love this film, but we had over 2,000 people at the screening.'
Why didn't his strategy work at the box office this time?
This one's just like a solid television of yore!
The problem is not that more people are not watching more TV, but that they are not finding anything of interest on Hindi television, says Vanita Kohli-Khandekar.
Sumukhi's fitness trainer Urmi Kothari reveals the techniques she used to help the artiste lose weight and get in shape.
'If there were ever a PR exercise to fix the seemingly irreparable image of Australian cricket in the aftermath of the most notorious on-field scandal in recent memory, then this is it,' observes Dhruv Munjal.
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